Since 2002 Kathleen Delaney has been creating crossover performances (postmodern dance, live & electroacoustic music, visual art). She appeared at renowned festivals such as Biennale di Venezia / Festival de Music Electro-acoustique Synthèse, Bourges, France / Festival de danse Antilope, La Chaux-des-Fondes / Màntica, Societas Raffaello Sanzio, Cesena / Odin Teatret Denmark/ Bimhuis, Amsterdam / Soundscape Projection Ambisonic Control Engine LEMS, Conservatory of Pesaro/ Splendor, Amsterdam / P.A.R.T.S. Summer Studios, Bruxelles / Stoa, Helsinki /Academy of Music, Krakow, Poland / Philarmonic Hall, Samara, Russia / Festival La Via Lattea, Switzerland / Voss Accordion Festival, Norway / Gallery W139 Amsterdam / Angelica Festival, Bologna / 22 Rassegna di Nuova Musica, Macerata / Il Suono dei Soli, Palermo, etc.
As a full time Professor of Bodily Awareness Techniques at the Conservatory of Music in Bolzano, South Tyrol, Italy, Kathleen deals with finding strategies to integrate the concept of self and of eco-pedagogy, preparing the students to deal with a competitive professional world, where often the ends to gain win over self-respect and self regulation, often leading to injury and psychophysical stress.
Tutor at the Design Academy in Eindhoven, Kathleen is immersed in intercultural practice, where embodiment and disembodiment are displayed in the intermedial-digital space and/or in an eco-critical context.
Kathleen has taught Masterclasses and given lectures at the Hogeschool voor de kunsten, SNDO in Amsterdam; National Academy of Music and Dance in Vilnius; Middlesex University in London; IADMS, Den Haag among the others. Her research on musician's health was scheduled during the PAMA symposium at the Weil Cornell Medical Center in New York, a.o.
Kathleen graduated MA cum laude at the Dept of Music, Performing and Visual Arts of the University of Bologna, Italy. She is a Certified Alexander Technique Teacher (ATCA, Amsterdam) and a Certified FaceYoga Teacher (Danielle Collins Training Course).