Lessons and Masterclasses for Music Conservatories
Unlocking your potential as a musician goes beyond mere practice it’s about fostering a holistic sense of well-being. connection between body and mind is essential for a truly expressive performance. By focusing on posture and awareness, you can enhance sound production, rhythm, and dynamics. Kathleen Delaney’s innovative program combines rhythmic with the principles of the Alexander Technique, guiding you to discover your unique musical voice and elevate your playing to new heights.
The Alexander Technique is a powerful method for brass players seeking to enhance their performance and well-being. Through my collaboration with Marco Pierobon, one of the greatest trumpet players alive, I've gained invaluable insights into the specific issues that arise in brass instrument playing. Together, we explore and address harmful patterns and unwanted tensions that can hinder musician's progress. By applying the principles of the Alexander Technique, brass players can cultivate greater ease and in their playing, leading to a more fulfilling musical experience.
STUDENTS' WORDS
The body awareness course by Prof. Delaney has allowed me to experience the fascinating relationship between music and body, music and movement, imagination, creativity, and improvisation. I was able to experience synesthesia, multi-and inter-sensory experiences in relation to myself and my classmates. Body, rhythm, voice, silence, dance, feelings, fantasy ... everything was integrated into a single set of strength, vitality, energy. Really a memorable, formative, rewarding experience.
Matilde Pirazzini, Jazz dept.
Conservatorio "B. Maderna", Cesena, Italy
Since the first time, I always felt great—during and after lesson.
Kathleen makes me feel at ease and comfortable from the beginning and this allows an easier and more natural understanding of the correct posture.
I like especially that my body movement directions are read very precisely, so every time I do an unpredicted mistake I always get a clear explanation and I can fix the problem immediately.
Alessandro Ambrosi, Accordion Master Student,
Royal Danish Academy of Music in Copenhagen